«Living Beings» | «Έμβια Όντα»

The human body is made up of more than 100 trillion cells. Most interestingly, all these cells were created as a result of a single cell division which then led to a flurry of continuous multiplications. A cell is the smallest unit of life that can be classified as a living being. 

This thriving and continuously evolving world of living beings is hidden; it cannot be observed with a naked eye, but only through the use of a microscope. That is how I came across with an ecosystem. The formations they created, their mobility and evolution were just the beginning of a great inspiration that has led me to discover a further step: the fertilisation.

And here lies my thought. The sperm cells attempt to penetrate the ovum but this task might become harder if bacteria get in the way. These can infect both the sperm cells and the egg. …But, what if the sperm cells take a wrong direction? Will they achieve their union eventually? There may be another alternative direction that the sperm cells may take, but will this be safe? …Can we actually make a choice, other than what we are "destined" to make? Is there an absolute right or wrong? How do we know if we have chosen the right one? Do we have the option to do something wrong? Are we allowed? …

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P.S. The photos cannot do the artworks justice and their uniqueness lies in the detail.

Femine
Femine

Mixed media on multiple medium-grain papers (356 g/m2 each). Use of materials such as graphite stick pencil, spray paint, coloured pencils, Pitt artist pen, black acrylic paint, liquid glue etc.
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Superfetation
Superfetation

Mixed media on watercolour paper (356 g/m2 each). Use of materials such as graphite stick pencil, coloured pencils, Pitt pastel pencils, Pitt artist pen, crepe paper, liquid glue etc.
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Life
Life

Mixed media on multiple medium-grain papers (356 g/m2 each). Use of materials such as graphite stick pencil, spray paint, Pitt artist pen, crepe paper, liquid glue etc.
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The passing
The passing

53,5 x 49,3 x 5 cm (with frame)

Mixed media on watercolour paper (356 g/m2 each). Use of materials such as graphite stick pencil, charcoal sticks, coloured pencils, Pitt pastel pencils, Pitt artist pen, crepe paper, liquid glue etc.
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Infectious
Infectious

25 x 25 x 4,5 cm (with frame)

Mixed media on multiple medium-grain papers (356 g/m2 each). Use of materials such as graphite stick pencil, surgical gauze, coloured pencils, Pitt artist pen, white acrylic paint, liquid glue etc.
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Fertility
Fertility

25 x 25 x 4,5 cm ( with frame)

Mixed media on multiple medium-grain papers (150 gsm / each). Use of materials such as graphite stick pencil, condom, charcoal sticks, crepe paper, white pencil, Pitt artist pen etc.

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Glass world
Glass world

25 x 25 x 5,5 cm (with frame)

Mixed media on multiple medium-grain papers (150 gsm / each). Use of materials such as graphite stick pencil, condom, Epoxy Resin, coloured pencils, Pitt artist pens, liquid glue, PVA glue, polymer clay etc.
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Fragility
Fragility

25,5 x 25,5 x 4.5 cm (with frame)

Mixed media on multiple medium-grain papers (150 gsm / each). Use of materials such as graphite stick pencil, coloured pencils, Pitt artist pens, white acrylic paint, liquid glue, Epoxy Resin, PVA glue, polymer clay etc.
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The usual suspect?
The usual suspect?

40 x 35 x 4,5 cm (with frame)

Mixed media on multiple medium-grain papers (150 gsm / each). Use of materials such as graphite stick pencil, charcoal sticks, coloured pencils, Pitt pastel pencils, watercolour pencils, Pitt artist pens, cotton, stick and liquid glue, Epoxy Resin, PVA glue, polymer clay etc.
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Growing
Growing

31 x 24,5 cm (with frame)

Mixed media on canvas. Use of materials such as graphite stick pencil, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, thin elastic bandage, stick and liquid glue, Epoxy Resin, polymer clay, deco stones etc.
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Enclosure
Enclosure

25,3 X 25,3 cm (with frame)

Mixed media on multiple medium-grain papers (150 gsm / each). Use of materials such as graphite stick pencil, white acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, sponge, polymer clay, stick and liquid glue etc.
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Symposium
Symposium

83 x 66 x 5 cm (with frame)

Mixed media on multiple watercolour papers (356 g/m2 each). Use of materials such as graphite stick pencil, charcoal sticks, thin elastic bandage, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, stick and liquid glue, deco stones etc.
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Genetic Diversity
Genetic Diversity

10 x 12 cm (without frame)

Mixed media on canvas. Use of materials such as multiple medium-grain papers (150 gsm / each), graphite stick pencil, needle, white acrylic paint, coloured pencils, Pitt pastel coloured pencils, Pitt artist pens, stick and liquid glue, crepe paper, polymer clay.
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The Close-up
The Close-up

25,3 x 25,3 cm (with frame)

(detail)

Mixed media on diptych canvas. Use of materials such as medium-grain paper (150 gsm), graphite stick pencil, needle, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, Pitt artist pens, stick and liquid glue etc.
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The persistence
The persistence

81 x 64 cm (with frame)

Mixed media on watercolour paper (356 g/m2). Use of materials such as graphite stick pencil, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, stick and liquid glue etc.
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Τhe beginning
Τhe beginning

25,3 x 25,3 cm (with frame)  

Mixed media on multiple medium-grain papers (150 gsm / each). Use of materials such as graphite stick pencil, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, stick and liquid glue etc.
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Untitled

25,3 x 25,3 cm (with frame)

Mixed media on multiple medium-grain papers (150 gsm / each). Use of materials such as graphite stick pencil, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, stick and liquid glue, deco stones etc.
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Untitled
Untitled

25,3 x 25,3 cm (with frame)

Mixed media on multiple medium-grain papers (150 gsm / each). Use of materials such as graphite stick pencil, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, stick and liquid glue, polymer clay.
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Genetic Field
Genetic Field

78 x 62 cm (with frame)

Mixed media on watercolour paper (356 g/m2). Use of materials such as graphite stick pencil, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, stick and liquid glue, polymer clay, deco stones etc.
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Magnifying world
Magnifying world

76,5 x 62 cm (with frame)

Mixed media on watercolour paper (356 g/m2). Use of materials such as graphite stick pencil, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, stick and liquid glue, polymer clay, deco stones etc.
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Intruder cells
Intruder cells

82 x 68 cm (with frame)

Mixed media on watercolour paper (356 g/m2). Use of materials such as graphite stick pencil, acrylic paints, coloured pencils, Pitt pastel coloured pencils, white crepe paper, Pitt artist pens, stick and liquid glue, polymer clay, deco stones etc.
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Untitled
Untitled

70 x 50 cm (with frame)

Mixed media on multiple watercolour papers (356 g/m2 each). Use of materials such as graphite stick pencil, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, stick and liquid glue, deco stones etc.
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Micrography
Micrography

82 x 62 cm (with frame)

Mixed media on watercolour paper (356 g/m2). Use of materials such as graphite stick pencil, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, stick and liquid glue, polymer clay, deco stones etc.
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Interactive area
Interactive area

82 x 64 cm (with frame)

Mixed media on watercolour paper (356 g/m2). Use of materials such as graphite stick pencil, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, stick and liquid glue, polymer clay, deco stones etc.
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Untitled

76 x 55 cm (without frame)

Mixed media on multiple watercolour papers (356 g/m2 each). Use of materials such as graphite stick pencil, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, stick and liquid glue, polymer clay, deco stones etc.
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Untitled
Untitled

70 x 50 cm (with frame)

Mixed media on watercolour paper (356 g/m2). Use of materials such as graphite stick pencil, white acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, Pitt artist pens, stick and liquid glue etc.
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Reproductive field
Reproductive field

82 x 67 cm (with frame)

Mixed media on multiple watercolour papers (356 g/m2 each). Use of materials such as graphite stick pencil, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, crepe paper, stick and liquid glue, polymer clay etc.
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Life within Life
Life within Life

70 x 64 cm (with frame)

Mixed media on watercolour paper (356 g/m2). Use of materials such as graphite stick pencil, white and black acrylic paint, coloured pencils, Pitt pastel coloured pencils, Pitt artist pens, crepe paper, stick and liquid glue, polymer clay, deco stones etc.
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Rebirth
Rebirth

84,5 x 68,5 cm (with frame)

Mixed media on multiple watercolour papers (356 g/m2 each). Use of materials such as graphite stick pencil, white acrylic paint, coloured pencils, Pitt pastel coloured pencils, Pitt artist pens, crepe paper, stick glue etc.
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Microcosm
Microcosm

100 x 70 cm (with frame)

Mixed media on multiple watercolour papers (356 g/m2 each). Use of materials such as graphite stick pencil, white and black acrylic paints, coloured pencils, Pitt pastel coloured pencils, Pitt artist pens, crepe paper, liquid and stick glue etc. 
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«Living Beings: The Birth» | «Έμβια Όντα: Η Γέννηση»

Materials used for the artworks included in the sketchbook:  Mixed media such as graphite stick pencil, acrylic paint, coloured pencils, Pitt pastel coloured pencils, Pitt artist pens, crepe paper, stick & liquid glue, polymer clay, deco stones etc.

Materials used for the Installation Art: A4 white - paper sketchbook, magnifying glass, a pair of white cotton gloves, white fabric, table.

About the Installation Art:  This interior Installation consists of a pure white sketchbook being placed in the middle of a table covered in white fabric. Two gloves are being laid on the left and right side of the sketchbook respectively. A magnifying glass is positioned on the left top corner of the table. The sketchbook remains open for viewing.

The viewer is a “living being” and as such, has an innate need to be curious which translates into a need for exploring, observing, discovering and judging; an inherent need for mobility and emotions induced by stimulations. These needs are triggered by the installation and induce the viewer, either consciously or subconsciously, into the symbolisms that “white” give rise to; clarity, purity, spirituality, fertility, surgical operations, tools and medicines. The artwork itself sets the viewer, indirectly, into an experiencing process.    

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P.S. The artworks below are just a sample of what is included within the sketchbook. Also, the photos cannot do the artworks justice and their uniqueness lies in the detail.

Interactive Installation Art / Διαδραστική Εγκατάσταση Χώρου
Interactive Installation Art / Διαδραστική Εγκατάσταση Χώρου

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This video shows a spectator taking part in the creative process.

A camera has been placed on the ceiling - directly above the table on top of which the art installation lives. The camera records every interaction taking place into the room while projecting it simultaneously on a large screen, outside the room. 

This process stimulates the viewer’s curiosity, courage and need to use his senses thus, leading to a dialogue between him and the artist. It also allows the spectator to engage with the artwork, provide his personal input and determine the final outcome. In this way, by using both body and mind the spectator activates and reveals the meaning of the installation and enables the artwork to fulfil its purpose. 
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«Seashell» | «Κοχύλι»

The creation of this series of artworks was inspired by a beautifully coloured seashell which was washed ashore by the crystal-clear waters of a beach on my beloved home country, Cyprus. That is how this creative journey of inspiration started while giving its way to my next series of artworks «Origin», «Living Beings: The Birth» and «Living Beings».

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P.S. The artworks not displaying dimensions, range from 20-25 cm width and 20-26 cm length. Also, the photos cannot do the artworks justice and their uniqueness lies in the detail.

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52,5 x 52,5 cm (with frame)

Acrylic paints on Canvas.
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52,5 x 52,5 cm (with frame)

Acrylic paints on Canvas.
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(with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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(with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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Acrylic paints, English classic watercolour paper (356 g/m2).
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(with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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(with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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20,5 x 26,5 cm (with frame)

Acrylic paints, English classic watercolour paper (356 g/m2)
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Approximate dimensions: 70 x 60 cm

Acrylic and wall paints on Canvas.
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Approximate dimensions: 50 x 50 cm

Acrylic paints on Canvas.
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(with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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(with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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(with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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(with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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(with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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(with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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25 x 25 cm (with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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(with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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20 x 26 cm (with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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20,5 x 15,5 cm (with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).
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20 x 26 cm (with frame)

Acrylic paints, English classic watercolour paper (356 g/m2).

«Origin» | «Προέλευση»

No form of art can be adequately explained with words. Words are simply useful indicia which help people to avoid or resolve misunderstandings. Hence, words can only provide some minor indication of how the artist felt at the time of his creation.

The evolution of a seashell lies in the heart of the present series of artworks, which becomes more impulsive resulting in a process of subtraction. The artist’s emotions are no longer described on the canvas but are taking place on it. The canvas ceases to be a place of simple reproduction of real or fictional objects, but a lively field of action of living beings. What the canvas portrays is not just a picture, is a series of facts!

The circle of life never comes to an end. The proof of this lies in places of decay: the real source of life. As a rule, genesis comes through death (germs, fungi, bacteria etc.). At this point, I find myself questioning what is visible and invisible. When examining some elements under the detailed eye of a microscope, one can come across; a variety of living forms which continuously expand and reproduce. This amazing and full of energy micrographic world cannot be seen by a “naked eye”.

On each canvas, these biological forms come alive, expand and evolve by their own needs. These forms multiply and reproduce, through different shape, volume, line, texture and tone. They are creating magnetic fields exerting pull or thrust power to each other as magnetism. Numerous successive lines that reach an end and entering a new field where the content has now the main role.

In this work, I present some of the artworks of the series “Origin” which is the evolution of the series “Seashells”. Their dimensions range between 2-2.20m x 1.90-2m approximately. 

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P.S. The photos cannot do the artworks justice and their uniqueness lies in the detail.

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Use of sponge, acrylic and wall paints on Canvas.
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Wall paints on Canvas.
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Mixed media on Canvas such as graphite stick pencil, acrylic and wall paints, crepe paper, liquid and stick glue.
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Mixed media on Canvas such as graphite stick pencil, acrylic and wall paints.
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Mixed media on Canvas such as graphite stick pencil, acrylic and wall paints, crepe paper, liquid and stick glue.
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Bipolarity
Bipolarity

Mixed media on Canvas such as graphite stick pencil, acrylic and wall paints.
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Mixed media on Canvas such as graphite stick pencil, acrylic and wall paints.
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Acrylic and wall paints on Canvas.
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Mixed media on Canvas such as graphite stick pencil, acrylic and wall paints, coloured pencils, Pitt pastel coloured pencils and Pitt artist pens.
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Mixed media on Canvas such as graphite stick pencil, acrylic and wall paints, coloured pencils, Pitt pastel coloured pencils and Pitt artist pens.
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Mixed media on Canvas such as graphite stick pencil, acrylic and wall paints, coloured pencils, Pitt pastel coloured pencils, Pitt artist pens, crepe paper, liquid and stick glue.
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Mixed media on Canvas such as graphite stick pencil, acrylic and wall paints, coloured pencils, Pitt pastel coloured pencils, Pitt artist pens, crepe paper, liquid and stick glue.
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Mixed media on Canvas such as graphite stick pencil, acrylic and wall paints, coloured pencils, Pitt pastel coloured pencils, Pitt artist pens, crepe paper, liquid and stick glue.
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Mixed media on Canvas such as graphite stick pencil, acrylic and wall paints, coloured pencils, Pitt pastel coloured pencils, Pitt artist pens, crepe paper, liquid and stick glue.
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«Limassol: A Psychogram» | «Λεμεσός: Ψυχογράφημα»

Limassol: a city full of magic and fairy dust. A city that manages every time to touch me and complete me at the same time. A breath of her fresh sea air is enough to capture me within her own magical world. Time stops as I look into her blue - with a light touch of purple - waves. It is like a dream!

I look carefully and realise that the salty waves, gently caress the pebbles on the beautiful beach again and again, as if they were hands. It is when the pebbles start to foam and all this creates an incredible relaxing sound which sends shivers down my spine every single moment; a fact which unreservedly entices my mind.

One of the many reasons that I have been visiting my beloved Limassol, every day for two months, was the endless inspiration that causes me, from the moment I see her while driving down the highway until I finally get to her.

Every morning on the same route I was looking forward to reaching the most beautiful destination of my heart! Sitting on the beach next to some huge coastal rocks, on a sandy hill, a wooden bench or lying at the wooden walkway, sketching the fishermen and the passers. The sea and the intense colourful lights from sunrise until sunset are the integral elements of the sketches.

If I could describe this paradise called Limassol in a few words: Passion, Love, Harmony. Culture, Creation, Worship.

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P.S. The photos cannot do the artworks justice and their uniqueness lies in the detail.

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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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20 x 15 cm (unframed)

White paper (135g), Monolith woodless graphite pencil, pencils, coloured pencils, Pitt artist pens.
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18,9 x 10,7 cm (unframed)

White paper (135g), soft pastels, hard pastels.
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20 x 15 cm (unframed)

White paper (135g), soft pastels, hard pastels.
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20 x 15 cm (unframed)

White paper (135g), soft pastels, hard pastels.

Emotions • Textures | Συναισθήματα • Υφές

Welcome into my personal photographic world! All the photographs are dated between 2008 until present with noticeable common characteristics blooming all over. They are closely interrelated to my artworks, consciously or unconsciously, sharing the same ideas, themes, textures, patterns. All photographs target at various biological forms and interpretations of life circle, spreading and evolution of microorganisms, senses, movements and gradations between colours. 

Photographs capture a moment that is gone forever, but all emotions are still alive on every single one of them.

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Ginza - Tokyo - Japan
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Tokyo - Japan
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Chiyoda City - Tokyo - Japan
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Baths of Aphrodite - Latchi - Akamas - Paphos - Cyprus
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Tokyo Imperial Palace - Chiyoda City - Tokyo - Japan
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Paphos Harbour - Paphos - Cyprus
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Beirut - Lebanon
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Shinjuku Gyoen National Garden - Shinjuku City - Tokyo - Japan
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Tokyo Dome City Amusement Park - Tokyo - Japan
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Enoshima - Tokyo - Japan
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Shibuya City - Tokyo - Japan
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Bunkyo City - Tokyo - Japan
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Ginza - Tokyo - Japan
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Kakopetria - Cyprus
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Sensoji Temple - Asakusa - Tokyo - Japan
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Tokyo - Japan
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Bunkyo City - Tokyo - Japan
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Tokyo Imperial Palace - Chiyoda City - Tokyo - Japan
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London - England
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Edinburgh Zoo - Edinburgh - Scotland
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Peyia - Paphos - Cyprus
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Sensoji Temple - Asakusa - Tokyo - Japan
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Ginza - Tokyo - Japan
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Enoshima - Tokyo - Japan
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Shinjuku Gyoen National Garden - Shinjuku City - Tokyo - Japan
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Tokyo - Japan
''Bridge of Life'' / ''Γέφυρα Ζωής''
''Bridge of Life'' / ''Γέφυρα Ζωής''

Newcastle - England
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Larnaca Port - Larnaca - Cyprus
Jasmine
Jasmine

Isle of Skye - Highlands - Scotland

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Aberdeen - Scotland
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Baths of Aphrodite - Latchi - Akamas - Paphos - Cyprus
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Balmoral Castle - Aberdeenshire - Scotland
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Port of Malaga - Malaga - Costa del Sol - Spain
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Edinburgh Zoo - Edinburgh - Scotland
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Kritou Terra - Paphos - Cyprus
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Seaton Park - Aberdeen - Scotland
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OAKA / Olympic Athletic Center - Athens - Greece
 
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Glenfinnan Viaduct - Inverness - Scotland
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Platres - Cyprus
 
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Mallorca (Majorca) - Balearic Islands - Spain
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Troodos - Cyprus
 
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Newcastle - England
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Stonehaven - Scotland
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Malaga - Costa del Sol - Spain
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Troodos - Cyprus
 
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Tokyo Skytree - Sumida - Tokyo - Japan
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Platres - Cyprus
 
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Tokyo - Japan
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Lady’s Mile - Limassol - Cyprus
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Isle of Skye - Highlands - Scotland
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Temple of Dionysus - Aegina - Greece
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Seaton Park - Aberdeen - Scotland
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Telefrique Harrisa - Jounieh - Beirut - Lebanon
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Malaga - Costa del Sol - Spain
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Agios Georgios - Paphos - Cyprus
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Casa Mila (La Pedrera) - Barcelona - Spain
 
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Isle of Skye - Highlands - Scotland
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Aberdeenshire - Aberdeen - Scotland
 
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Larnaca Port - Larnaca - Cyprus
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Sir Duncan Rice Library - Aberdeen - Scotland
 
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Paris - France
 
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Platres - Cyprus
 
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Paphos Harbour Castle - Paphos - Cyprus
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Edinburgh - Scotland

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La Pedrera - Barcelona - Spain
 
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Edinburgh Zoo - Edinburgh - Scotland
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Troodos - Cyprus
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L'Aquarium - Barcelona - Spain
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Barcelona - Spain
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Camera Obscura & World of Illusions - Edinburgh - Scotland
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Casa Mila (La Pedrera) - Barcelona - Spain
 
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Casa Mila (La Pedrera) - Barcelona - Spain
 
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Athens - Greece
 
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Peyia - Paphos - Cyprus
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Casa Mila (La Pedrera) - Barcelona - Spain
 
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MACBA / Museu d'Art Contemporani de Barcelona - Barcelona - Spain
 
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Isle of Skye - Highlands - Scotland
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Edinburgh Zoo - Edinburgh - Scotland
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Torry Battery - Aberdeen - Scotland
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Kathikas - Paphos - Cyprus
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Enoshima - Tokyo - Japan
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MACBA / Museu d'Art Contemporani de Barcelona - Barcelona - Spain
 
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Sagrada Familia - Barcelona - Spain
 
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SSE Hydro - Glasgow - Scotland
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Athens - Greece
 
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Kritou Terra - Paphos - Cyprus
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Larnaca - Cyprus
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Athens - Greece
 
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Peyia - Paphos - Cyprus
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Aberdeen - Scotland
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L'Aquarium - Barcelona - Spain
 
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Barcelona - Spain
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Paphos Harbour - Paphos - Cyprus
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Larnaca Port - Larnaca - Cyprus
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Athens - Greece
 
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Baths of Aphrodite - Latchi - Akamas - Paphos - Cyprus
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Bekiri Cave - Spetses - Greece
 
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L'Aquarium - Barcelona - Spain
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Paris - France
 

Mosaicdose | Δόση Ψηφιδωτού

Mosaic Art also forms a significant part of my work. Mosaics are influenced intensely by biological forms of ecosystem thus creating magnetic fields between the different elements of each one of them. All various forms perform a cyclic movement which represents the notions of wholeness, eternity, timelessness like the circle of life itself. These forms develop gradually and evolve while triggers the diversity in their colour, the texture of tile and volume.

Even though my artworks directly correlated with each other, at mosaic artworks lays also a different fold of my life: childhood. 

Childhood means a heavenly life without obligations, a carefree life full of colours and pure crystal-clear emotions. Everything is different when you’re a child: the trees are higher, the colours are brighter, and every new non-ending day is more interesting than the last. Even more importantly, some things happen that stay in our memory for a long time; in fact, sometimes they end up being with us forever. In the mosaics, all the childhood sweet memories spring back. 

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P.S. The photos cannot do the artworks justice.

«Limassol» / «Λεμεσός»
«Limassol» / «Λεμεσός»

Direct method. Made of glass, traditional and ceramic tile tesserae on marine plywood (approximately 30 x 30 cm). 
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The mosaic at the first stage in the completion process.
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(detail) 
The mosaic at the first stage in the completion process.
 
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(detail)
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Direct method, framed with strips of wood (approximately 60 x 50 cm). Made of ceramic, smalti and marble tile tesserae.
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(detail)
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Direct method, framed with strips of wood (approximately 40 x 30 cm). Made of ceramic, smalti and marble tile tesserae.
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(detail)
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Indirect method, framed in a round metal base (approximately 30 cm). Made of ceramic, smalti and marble tile tesserae.
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